Bach 1.0 · Powered by Bach-1.0 Preview
Bach 1.0 — make video at bach.video
Built around the new Bach-1.0 Preview video model. Type the scene, upload a still, and watch it move — faithful motion, intentional camera work, multilingual scene direction. Every clip lands ready for your edit, no API key required.
Why Bach 1.0
Bach-1.0 Preview, shaped around the way creators actually film
Bach 1.0 is the creator platform around the Bach-1.0 Preview video model — tuned for the work that lands in your edit, not lab demos. Six things that show up when you're cutting tomorrow's drop, not in a feature comparison spreadsheet.
Motion that holds its shape
Subjects stay anchored across the clip. Hands don't fold inwards halfway through. Camera moves track the scene instead of fighting the subject. The preview is the cut you ship — fewer regenerates, less retouching in post.
Prompt in your own language
English, Chinese, both at once — Bach-1.0 Preview reads bilingual scene briefs natively, and other major languages work for direction and dialogue cues. Write the brief in whatever language you think in; pick the cut in either.
Render in the time it takes to write the next prompt
Most clips come back fast enough that you stay in flow. Direct three or four variations of a beat in the time a traditional pipeline takes to render one — variations are now part of the workflow, not a luxury.
Cinematic framing, written into the prompt
Wide masters, dolly-ins, low-angle hero shots, handheld follows — described in plain words and rendered with intent. No film-look LUT, no fake camera-shake plugin needed afterwards.
Series consistency, not one-off magic
Lock a style brief once — subject, lighting, palette, era — and reuse it across every shot in a sequence. Music videos, episodic vlogs, and ad campaign cuts hold their look from frame one to frame final.
Commercial license on every paid plan
Monetize it. Every video on a paid plan carries a full commercial license — paid YouTube ads, sponsored TikTok placements, client deliverables, Patreon exclusives. No attribution required, no licensing follow-ups.
Creator Workflows
Where Bach 1.0 earns a slot in the weekly schedule
Six workflows where short-form video creators are getting actual time back. Each one is the kind of work the model was tuned for — not a lab demo, not a marketing render.
Reels, Shorts & TikTok
Hook clips for Reels, Shorts, TikTok, and X — fully scripted, fully visual, in the time it used to take to set up a shoot. Bring the idea, leave the lights at home.
Product Demos & Ad Cuts
Drop in a product photo, describe the shot — kitchen counter, golden-hour light, a hand reaching in — and Bach 1.0 lands an ad-ready cut. Iterate the angle, not the production.
Music Videos & Mood Films
Sketch a verse-by-verse visual treatment, render each beat as a clip, and assemble in your editor. Independent musicians can deliver a release-day video without an outsourced director.
Storyboards & Pre-Vis
Show the agency, the producer, the client what the scene looks like — moving — before a single dolly is rented. Replace static frames with motion previews in the same prep window.
Tutorials & Educational B-Roll
Concept animations, abstract metaphors, period-piece scene-setting — drop them into a course, a YouTube essay, or a paid newsletter video. Cover the moments where stock footage falls flat.
Fan Edits & Remix Reels
Anime-style transitions, retro-grade dailies, dreamlike sequences for fan edits and remix culture. Communities sharing prompt packs let you start from a recipe instead of a blank page.
Loved by Creators, Shipped Daily
Real feedback from the Bach 1.0 community
I used to spend Tuesday morning blocking out the week's reels. Now I sketch the visuals in Bach, render six clips before lunch, and edit before the afternoon meeting. The shoot day moved into the browser.
Cut a release-day video for a single in one afternoon. Verse one, verse two, the bridge — three Bach renders, an export from my editor, online before the track went live on streaming.
Pitching boards used to mean a static deck. Now I hand the client a one-minute motion treatment of the spot before we book a director. Wins land before the budget conversation even starts.
Closing shots of a finished plate never looked good on a phone tripod. Bach renders the money shot for me, three angles, and I cut the best one in. Engagement on the closer climbed about a third.
B-roll for a thirty-minute essay used to mean four hours of stock-site digging. I describe what the scene looks like, get six options, drop the right one over the voiceover. Now the essay gets a visual every minute.
Lookbook teasers for each drop — a model walking, fabric moving, garment in the right light — Bach renders all of it from a product photo and a short brief. We stopped booking studio days for teaser content.
Trailer cuts for the new build — I render gameplay-flavored cinematic shots in a few hours, drop them into the trailer alongside actual capture, and ship a launch reel without an outside studio.
Lecture videos need cutaway moments. Concept animations for thirty units, all delivered in a week. Students notice — completion rates went up, and I'm not paying a freelancer for every cutaway anymore.
Re-creating a moment I couldn't film — a person from the eighteenth century walking the same street I'm narrating from. Bach renders the historical scene, I cut between it and a present-day shot. Story works.
I post short stylized vignettes daily. Bach holds the same character look across thirty episodes — same outfit, same vibe, different scene every day. I used to need a part-time animator on retainer; not anymore.
Pre-vis for a short film I'm pitching. Five scenes, motion previews, a mood reel — sent to two producers and got the call back the next morning. The thing they responded to was seeing the camera move.
A/B testing creative used to mean booking a shoot. Now I render twelve variations of an opening hook in an afternoon, pick the two with the best stop rate, scale them. CPA dropped enough that I rebudgeted the line item.
Creator FAQ
Quick answers before your first render